The heavy and vibe-drenched first radio single, “Colourblind”, admonishes listeners to let go of tired uncompromising extremes and instead drink in the full scope of the human experience, much as HANDS LIKE HOUSES aren’t limited by genre perceptions.
Collaborating for a second time with acclaimed producer James Paul Wisner (Paramore, Underoath, Dashboard Confessional), who produced the band’s Top 40 Billboard Top 200 album, Unimagine (in 2012), HANDS LIKE HOUSES created “DISSONANTS”, a confident, self-assured, immediate, and urgent sounding diverse full-length album. The adventurous accessibility of their breakthrough debut release, Ground Dweller, forged together with the from-the-gut emotionalism of Unimagine in perfect harmony.
“It feels like not only a step forward but also a step to the right,” reasons HANDS LIKE HOUSES lead vocalist Trenton Woodley. “We never want to make the same album twice but we also never want to leave anybody behind.”
The electrifying chemistry between Woodley, lead guitarist Matt “Coops” Cooper, guitarist/backing vocalist Alexander Pearson, bassist/backing vocalist Joel Tyrrell, and drummer Matt Parkitny has never sounded more cohesive and explosive. Growing from schoolmates to international rock band criss-crossing the globe together on tour with bands like A Day To Remember, Sleeping With Sirens, The Amity Affliction, Memphis May Fire, and Enter Shikari, HANDS LIKE HOUSES have fully embraced a brilliant, unique artistic identity, demonstrated all over “DISSONANTS.”
“We spend our life on the road, where playing live has shown us not only which songs the crowd is most responsive to, but also which songs we enjoy playing the most,” Woodley explains. “This album captures so much of that intense energy.”
Even as a young band, they are already twice veterans of Warped Tour. One listen to alternately giant but intimate HANDS LIKE HOUSES anthems will demonstrate with abundant clarity just why bands like Pierce The Veil, Sleeping With Sirens, and Silverstein took these five Australians on the road with them.
Fans of mid-2000s scene luminaries like Circa Survive and Saosin (whose Beau Burchell collaborated on the new album’s “Grey Havens”) will find as much connection and inspiration on “DISSONANTS” as followers of HANDS LIKE HOUSES contemporaries in Beartooth, or even their Rise Records label-mates in PVRIS. “DISSONANTS” crosses many creative boundaries and borders, without ever losing sight of its own identity. “We’re still just regular people. There are no delusions of grandeur in what we’re doing,” offers Woodley. “We just put everything we are into everything we do.”
Bearers of the blazing torches of screamo, melodic metalcore, alt-rock, and multi-generational bombast, HANDS LIKE HOUSES maintain one foot in the scene that birthed them while the other steps with confidence into a timeless position occupied by few of their peers. The songs that the five men from Canberra created, across three albums, mine the depths of melancholy and climb the summits of passion, making HANDS LIKE HOUSES one of Australia’s most-celebrated international exports.
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